Sunday, March 01, 2015

Fiore dei Liberi

Fior di Battaglia = Flower of Battle = Flos Duellatorum,
a combat manual created in the first decade of 15th cent.
"Like people today, people of the medieval and Renaissance periods read how-to books. This manuscript by the greatest fencing-master of the late 1300s, Fiore Furlan dei Liberi da Premariacco, instructs the reader in the intricacies of combat. Lively illustrations of charging horses and armored knights accompany the text. Through words and pictures, the manuscript teaches a variety of fighting techniques including single combat on foot with sword, dagger, and ax[e], and also mounted combat in all its variations. Nicolò III d'Este, ruler of Ferrara, ordered at least three copies of this text, including this one. Nicolò's interest in such a manual was quite natural, since fighting played an important role in the education of young nobleman, and he himself was raising three sons." [link]
See the *combat* tag for a range of previous BibliOdyssey posts on swordsmanship, weaponry, munitions, war arts, defensive emplacements &c.

The parchment manuscript (~20.5 x 30cm) below features illustrations executed in tempera colours, gold leaf, silver leaf, and ink. This sample of manuscript images was chosen from among the 85+ leaves of the manuscript, and they have been variously cropped and lightly cleaned in the background at times.


Fiore dei Liberi - Ludwig XV 13, Fol. 32 (Aiming Points on the Body) a

Fiore dei Liberi: "As a young man I desired to learn armed fighting, including the art of fighting in the lists with spear, poleaxe, sword, dagger and unarmed grappling, on foot and on horseback, armored and unarmored. In addition I wanted to study how weapons were made, and the characteristics of each weapon for both offense and defense, particularly as they applied to mortal combat.
I also desired to learn the wondrous secrets of this art known only by very few men in this world. And these secrets will give you mastery of attack and defense, and make you invincible, for victory comes easily to a man who has the skill and mastery described above. 
I learned these skills from many German and Italian masters and their senior students, in many provinces and many cities, and at great personal cost and expense.
And by the grace of God I also acquired so much knowledge at the courts of noblemen, princes, dukes, marquises, counts, knights and squires, that increasingly I was myself asked to teach. My services were requested many times by noblemen, knights and their squires, who wanted me to teach them the art of armed combat both for fighting at the barrier and for mortal combat. And so I taught this art to many Italians and Germans and other noblemen who were obliged to fight at the barrier, as well as to numerous noblemen who did not actually compete. [..] 
It’s my opinion that in this art there are few men in the world who can really call themselves Masters, and it is my goal to be remembered as one of them. To that end I have created this book all about this martial art and the things related to it, including weapons, their applications, and other aspects too." {partial translation of Preface: source}


Unarmed Combat



Combat with Rondel and Dagger



Combat with Dagger



Combat with Dagger and Sword



Four Allegorical Figures



lines of Sword attack strikes



Combat with Sword



Combat with Pollaxe



Combat with Lance



Equestrian Combat with Lance



Equestrian Combat with Sword



Fiore dei Liberi - Ludwig XV 13, Fol. 47 (Two Horses) a



Thursday, November 13, 2014

Peking Opera Figures

Album of 100 Portraits of Personages from Chinese Opera

Period: Qing dynasty (1644–1911)
Date: late 19th–early 20th century
Culture: China
Medium: Album of fifty leaves; ink, color, and gold on silk
Artist: Unidentified


Chinese Opera figure l



Chinese Opera figure b



Chinese Opera figure m



Chinese Opera figure i



Chinese Opera figure c



Chinese Opera figure h



Chinese Opera figure f



Chinese Opera figure



late 19th century watercolour sketch of member of Peking Opera company



Chinese Opera figure k



Chinese Opera figure d



Chinese Opera figure g



Chinese Opera figure e



Chinese Opera figure o



Chinese Opera figure n



Chinese Opera figure j


"In the opera boom of the late nineteenth century, albums were turned to a new purpose: documenting the variety and vibrancy of stage culture in all its multicolored splendor. This album records in detail the makeup and costume of one hundred characters drawn from nine plays. Each character is identified with an accompanying inscription, and the plays are named at the top right of nine of the leaves in slightly larger script."

Thursday, November 06, 2014

Schönschreibmeister

A Calligraphy Master's Album


FJ Brechtel calligraphy 16th cent. a



FJ Brechtel calligraphy 16th cent. c



FJ Brechtel calligraphy 16th cent. f



FJ Brechtel calligraphy 16th cent. i



FJ Brechtel calligraphy 16th cent. k



FJ Brechtel calligraphy 16th cent. b



FJ Brechtel calligraphy 16th cent. j (cropped)



FJ Brechtel calligraphy 16th cent. m



FJ Brechtel calligraphy 16th cent. n



FJ Brechtel calligraphy 16th cent. h



FJ Brechtel calligraphy 16th cent. d



FJ Brechtel calligraphy 16th cent.



FJ Brechtel calligraphy 16th cent. g



FJ Brechtel calligraphy 16th cent. l



'Werke der Schönschreibmeister' by FH Brechtel (1573) is available from Bamberg State Library in Germany.

The 24 page paper manuscript is dominated by Middle German blackletter scripts with extravagant embellishment, and a minority of the pages contain 'less' ornamental writing in Latin.

The manuscript appears to be a compilation of calligraphic examples by one of the originators of early fraktur^ scripts, Johann Neudörffer the Elder, to whom this album is dedicated. The manuscript's title - something like: The Beautiful Works of the Master Scribes - is also suggestive of Brechtel having assembled a set of Neudörffer's calligraphy output, rather than his presenting an adaptation or transformation from the originals. [Later: I'm informed the title is plural, meaning Master Scribes or similar; so we might presume the album script examples come from a variety of sources beyond simply Neudörffer']

Neudörffer was an important educator and he published text books in Nuremberg on writing which dominated teaching curriculums for a couple of centuries; and his calligraphy endeavours were similarly admired. Neudörffer is also honoured as the first biographical historian of German artists, though his 'Nachrichten' (1547) wasn't published until the 1800s. He was lucky enough to have counted Albrecht Dürer as a friend and neighbour!

There is not a lot of information about Franz Joachim Brechtel (that I can find) online. It would appear that his main claim to fame and employment stems from music sheets that he printed. I'm unsure whether he was the composer or simply the designer/publisher of the sheet music. In either case, his name is associated today with more than a hundred pieces of music that I - just - randomly found on the internet (so a role as composer seems more likely, though I didn't dig into it).

  • Neudörfer (or Neudörffer), Johannes (i.e., Johann), der Ältere at the Dictionary of Art Historians.
  • Brechtel at Musicalis.
  • 'Lied und Liederbuch in der Frühen Neuzeit' 2009 by A Classen and L Richter features some biographical commentary on Franz Brechtel - (snippets)
  • ADDIT: go see Thony's very interesting post at The Renaissance Mathematicus wherein he expounds greatly on the printing scene in Nuremberg in the 15th/16th centuries.
  • Thanks Jeanne!
  • Previously (specifically) on BibliOdyssey: Nuremberg Scribe features elaborate scripts produced by Stephan Brechtel - likely a brother of Franz - and there's a link in there to a post on the Brechtel family of calligraphers 
  • Previously on BiblOdyssey: the many posts under the tag of calligraphy.
  • The Schönschreibmeister post first appeared on the BibliOdyssey website.

Sunday, November 02, 2014

Folies Bergère

Advertising posters for music-hall cabaret
shows in Paris in the late 19th century



19th cent. french music-hall poster called: Tous les soirs, Thaumaturgie humoristique
Title: Folies-Bergère, tous les soirs, Thaumaturgie humoristique par le Comte Patrizio de Castiglione
Artist: Jules Chéret
Date: 1875


19th cent. french music-hall poster of chimney sweeps
Title: Folies-Bergère...Les Prices, ramoneurs musicaux...
Artist: F Appel (lithographer)
Date: 1890



19th cent. french music-hall poster - girl on fire!
Title: Folies-Bergère. La danse du feu [La Loïe Fuller]
Artist: Jules Chéret
Date: 1897



19th cent. french music-hall poster - boxing kangaroo
Title: Folies-Bergère. Le plus nouveau spectacle. Le kangourou boxeur
Artist: F Appel (lithographer)
Date: 1895



19th cent. french music-hall poster
Title: Folies-Bergère...Tous les soirs... original's... Huline Brother's
Artist: Charles Levy
Date: 1888



19th cent. french music-hall poster
Title: Folies-Bergère. Le Capitaine Costentenus
Artist: F Appel (lithographer)
Date: 1895



19th cent. french music-hall poster - family of bicycle trick riders
Title: Folies-Bergère. Les Selbinis, famille de vélocipédistes
Artist: F Appel
Date: 1887



19th cent. french music-hall poster - an elephant act
Title: Folies-Bergère, tous les soirs G. Lockart et ses éléphants
Artist: F Appel (lithographer)
Date: 1890



19th cent. french music-hall poster - sinister figure from Paganini
Title: Folies Bergère : le Spectre de Paganini
Artist: F Appel (lithographer)
Date: 1880



19th cent. french music-hall poster
Title: Folies-Bergère. Tous les soirs la famille birmane...
Artist: F Appel (lithographer)
Date: 1890



19th cent. french music-hall poster
Title: Tous les soirs à 8 heures. Folies Bergère, 32 rue Richer. O. Metra. Travaux de voltige, ballets, pantomimes, opérettes...
Artist: Jules Chéret
Date: 1875



Les Griffith's Grand Succes
Title: Folies-Bergère...Les Griffith's...
Artist: F Appel (lithographer)
Date: 1890



Lona Barrison
Title: Folies-Bergères. Lona Barrison
Artist: Albert Guillaume
Date: 1897



Tous les soirs à 10 heures
Title: Folies-Bergère. Tous les soirs à 10 heures, (trapéziste sur un taureau)
Artist: Emile Levy
Date: 1885



Les Trevally acrobates
Title: Folies-Bergère. Les Trevally acrobates tous les soirs
Artist: F Appel (lithographer)
Date: 1890



L'orchestre des éléphants
Title: Folies Bergère tous les soirs... l'orchestre des éléphants de Sam Lockart
Artist: F Appel (lithographer)
Date: 1890



Les Chiens Sauteurs-------
Title: Folies Bergère. Les Chiens sauteurs...
Artist: Ateliers Chéret
Date: 1890



Nala Damajanti charmeuse hindoue
Title: Folies-Bergère. Nala Damajanti charmeuse hindoue
Artist: F Appel (lithographer)
Date: 1895

"The Folies Bergère is a cabaret music hall, located in Paris, France. Established in 1869, the house was at the height of its fame and popularity from the 1890s' Belle Époque through the 1920s' Années folles. The institution is still in business, and is always a strong symbol of French and Parisian life." [W]

 
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